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Sand, George, 1804-1876

"Mauprat"


The chevalier opened a door at one end of the room and closed it after
him; but, as I could hear him cough from time to time, I gathered
that his study was separated from his daughter's room only by a wooden
partition. Still, it was bliss to be alone with her for a few moments,
as long as she appeared to be asleep. She did not see me, and I could
gaze on her at will. So pale was she that she seemed as white as her
muslin dressing-gown, or as her satin slippers with their trimming of
swan's down. Her delicate, transparent hand was to my eyes like some
unknown jewel. Never before had I realized what a woman was; beauty for
me had hitherto meant youth and health, together with a sort of manly
hardihood. Edmee, in her riding-habit, as I first beheld her, had in
a measure displayed such beauty, and I had understood her better then.
Now, as I studied her afresh, my very ideas, which were beginning to
get a little light from without, all helped to make this second
_tete-a-tete_ very different from the first.
But the strange, uneasy pleasure I experienced in gazing on her was
disturbed by the arrival of a duenna, a certain Mademoiselle Leblanc,
who performed the duties of lady's maid in Edmee's private apartments,
and filled the post of companion in the drawing-room. Perhaps she had
received orders from her mistress not to leave us. Certain it is that
she took her place by the side of the invalid's chair in such a way as
to present to my disappointed gaze her own long, meagre back, instead of
Edmee's beautiful face.


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